Surfing Rat

The actual portrayals of rats vary from negative to positive with a majority in the negative and ambiguous. The rat plays a villain in several mouse societies; from Brian Jacques's Redwall and Robin Jarvis's The Deptford Mice, to the roles of Disney's Professor Ratigan and Kate DiCamillo's Roscuro and Botticelli. They have often been used as a mechanism in horror; being the titular evil in stories like The Rats or H.P. Lovecraft's The Rats in the Walls and in films like Willard and Ben. Another terrifying use of rats is as a method of torture, for instance in Room 101 in George Orwell's Nineteen Eighty-Four or The Pit and the Pendulum by Edgar Allan Poe.
Selfish helpfulness —those willing to help for a price— has also been attributed to fictional rats. Templeton, from E. B. White's Charlotte's Web, repeatedly reminds the other characters that he is only involved because it means more food for him, and the cellar-rat of John Masefield's The Midnight Folk requires bribery to be of any assistance.
By contrast, the rats appearing in the Doctor Dolittle books tend to be highly positive and likeable characters, many of whom tell their remarkable life stories in the Mouse and Rat Club established by the animal-loving doctor.
Some fictional works use rats as the main characters. Notable examples include the society created by O'Brien's Mrs. Frisby and the Rats of NIMH, Doctor Rat, Rizzo the Rat from The Muppets, and animated films like Pixar's Ratatouille. Mon oncle d'Amérique ("My American Uncle"), a 1980 French film, illustrates Henri Laborit's theories on evolutionary psychology and human behaviors by using short sequences in the storyline showing lab rat experiments.