Milla Jovovich

Jovovich returned to acting in 1997 with a lead in the Luc Besson directed science fiction action film The Fifth Element, alongside Bruce Willis and Gary Oldman. She portrayed Leeloo, an alien who was the "supreme being". Jovovich said she "worked like hell: no band practice, no clubs, no pot, nothing" to acquire the role and impress Besson, whom she later married on December 14, 1997, but later divorced. Jovovich also co-created and mastered an over 400-word alien language for her role. She wore a costume that came to be known as the "ACE-bandage" costume, a revealing body suit made of medical bandages designed by Jean-Paul Gaultier. The Fifth Element was selected as the opening film for the 1997 Cannes Film Festival and its worldwide box office gross was over $263 million, more than three times its budget of $80 million. The Fifth Element was often praised for its visual style and unique costumes, and film reviewer James Berardinelli, explained "Jovovich makes an impression, although her effectiveness has little to do with acting and less to do with dialogue". Jovovich was nominated for "Favorite Female Newcomer" at the Blockbuster Entertainment Awards and "Best Fight" at the MTV Movie Awards. Jovovich's portrayal of Leeloo garnered a video game and a planned action figure, but the figure was never released due to licensing problems. In a 2003 interview, Jovovich said Leeloo was her favorite role to portray.
In 1998, Jovovich had a role in the Spike Lee drama He Got Game as abused prostitute Dakota Burns, appearing with Denzel Washington and Ray Allen. In 1999, she appeared in the music video for the song "If You Can't Say No" by Lenny Kravitz. In 1999, Jovovich returned to the action genre playing the title role in The Messenger: The Story of Joan of Arc, reuniting her with director Luc Besson. She was featured in armor throughout several extensive battle scenes, and cut her hair to a short length for the role. Jovovich received generally good reviews for her performance, although she also received a Razzie Award nomination for "Worst Actress". The Messenger: The Story of Joan of Arc did moderately well at the box office, gaining $66 million worldwide. In 2000, Jovovich appeared as the troubled Eloise in The Million Dollar Hotel, a film based on a concept story by Bono of the band U2 and Nicholas Klein. Directed by Wim Wenders, Jovovich starred alongside Jeremy Davies and Mel Gibson, in addition to providing vocals on the film's soundtrack. Afterwards, she portrayed bar owner, Lucia, in the British western film The Claim (2000), and the evil Katinka in the cameo-laced comedy Zoolander (2001).
• International success (2002–2006)
In 2002, Jovovich starred in the horror/action film Resident Evil, released in the United States on March 15, 2002. Based on the CAPCOM video game series of the same name, she portrayed Alice, the film's heroine who fights a legion of zombies created by the evil Umbrella Corporation. Jovovich had accepted the role of Alice because she and her brother had been fans of the video game franchise, saying, "It was exciting for me just watching him play, I could sit for 5 hours and we would sit all day and play this game." Jovovich had performed all the stunts required in the film, except for a scene that would involve her jumping to a cement platform, which her management deemed too dangerous, and had trained in karate, kickboxing, and combat-training. The film was commercially successful, grossing $17 million on its opening weekend, and gaining $40 million domestically and $102 million worldwide. Later, she portrayed the manipulative gang wife Erin in No Good Deed (2002), Nadine in the romantic comedy You Stupid Man (2002), punk rocker Fangora ("Fanny") in Dummy (2003), and provided a guest voice on the television series King of the Hill. The role of Fangora in Dummy, allowed Jovovich to act in film with Oscar-winning Adrien Brody, who was a friend prior to filming. Jovovich found it easy to identify with this role because she felt Fangora, as opposed to previous characters, possessed similar qualities to the actress' own life.