Rachel Anne McAdams

At this point in her career, she was dubbed the new "Hollywood it girl" and "the next Julia Roberts". In December 2005, she was invited to appear on an upcoming cover of Vanity Fair with Scarlett Johannson and Keira Knightley. Upon arrival on the photo set, she discovered it was a nude session and left. She later parted ways with her publicist who had failed to inform her in advance. Knightley later said, "It was actually pretty undramatic as I remember it. Quite early on Rachel just said, 'No, I'm not into that.' She's a lovely girl, and I really respect her for doing that." The cover's photographer, Tom Ford, explained, "She realised that she really wasn't (fine with it), and that was fine... She just asked if she could be excluded from the cover." When asked about the incident in 2008, McAdams had "no regrets”.
McAdams withdrew from public life in 2006 and 2007, taking time off to focus on herself and her family. "It was the right thing for me to do at the time," she later said. During this period, the actress turned down roles in The Devil Wears Prada, Casino Royale, Mission: Impossible III and Get Smart. Despite keeping a low profile, she received a Rising Star Award nomination from the British Academy of Film and Television Arts in 2006 and hosted the 2006 Academy Awards for Technical Achievement.
She returned to work in 2008, with two low-key releases. Married Life, a film noir with Pierce Brosnan, Chris Cooper and Patricia Clarkson, was a box-office flop but critics welcomed McAdams' return to the silver screen. Entertainment Weekly found her "a particularly delightful vision after her two-year intermission". Variety's critic also bemoaned her two year absence and felt that she "here endows her readings with tender feeling". However, they noted that "her natural vivaciousness and spontaneity are straightjacketed" by the austere tone of the film.
Her second film of 2008, The Lucky Ones, a story about three Iraq War soldiers on a brief road trip back in the U.S., was another box-office flop and received uncomplimentary reviews. McAdams' performance, however, was praised. The New York Times found her "luminous as always", Variety found her "as captivating as ever" while Roger Ebert hailed the performance as "her coming of age as an actress". "Previously she has been seen mostly as a hot chick or an idealized sweetheart", he wrote. "Here she is feisty, vulnerable, plucky, warm, funny. She provides yet another lesson that you can't judge acting ability until you see an actor given a chance to really stretch. Watch the poignance of the scene when she meets her boyfriend's family."