Scarlett Johansson

After appearing in minor roles in Fall and Home Alone 3 in 1997, Johansson garnered widespread attention for her performance in the 1998 film The Horse Whisperer, directed by Robert Redford. She received a nomination for the Chicago Film Critics Association Award for Most Promising Actress for the film. In 1999, she appeared in both My Brother the Pig and the neo-noir Coen brothers film The Man Who Wasn't There. Also in 1999, she made an appearance in the music video for Mandy Moore's single, "Candy". Although the film was not a box office success, she received praise for her breakout role in the 2001 film, Ghost World. Credited with "sensitivity and talent that belie her age", Johansson went on to win the Chlotrudis and Toronto Film Critics Association Awards for Best Supporting Actress and was nominated for the Online Film Critics Society Award for Best Supporting Actress. In 2002, Johansson appeared in the comedy-horror thriller Eight Legged Freaks, starring David Arquette.
Transition to adult roles
Johansson made the transition from teen roles to adult roles, with two such roles in 2003. In the Sofia Coppola film Lost in Translation, she played Charlotte, an abandoned young wife, opposite Bill Murray. Roger Ebert wrote that he loved the film and described the performances of Johansson and Murray as "wonderful." Entertainment Weekly wrote of Johansson's "embracing, restful serenity," and the New York Times said, "At 18, the actress gets away with playing a 25-year-old woman by using her husky voice to test the level of acidity in the air ... Ms. Johansson is not nearly as accomplished a performer as Mr. Murray, but Ms. Coppola gets around this by using Charlotte's simplicity and curiosity as keys to her character." Johansson won the BAFTA Award and the Boston Society of Film Critics Award for Best Actress and was nominated for the Golden Globe Award for Best Actress for the role. She received nominations from a number of film critic organizations, including the Broadcast Film Critics Association, the Chicago Film Critics Association, the Phoenix Film Critics Society and the Chlotrudis Awards.
Johansson played Griet in Peter Webber's Girl with a Pearl Earring. While noting, "Audiences feel as if they are spying on a moment of artistic inspiration when painter Vermeer creates the title work", USA Today praised her, suggesting, "She is having a banner year that Oscar voters should recognize." In his review for the New Yorker, Anthony Lane said, "What keeps Webber’s movie alive is the tenseness of the setup ... and, above all, the presence of Johansson. She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer’s, all the way." Owen Gleiberman, for Entertainment Weekly, wrote of her "nearly silent performance", observing, "The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic." She was nominated for the Golden Globe for Best Actress in a Drama and the BAFTA Award for Best Actress in a Leading Role. She was also nominated by the London Film Critics' Circle, the Phoenix Film Critics Society and the British Independent Film Awards.