Kurt Donald Cobain

Cobain was also a fan of classic rock bands from the 1970s, including Led Zeppelin, AC/DC, Black Sabbath, Aerosmith, Queen, and Kiss. Nirvana occasionally played cover songs by these bands, including Led Zeppelin's "Immigrant Song", "Dazed and Confused" and "Heartbreaker", Black Sabbath's "Hand of Doom," and Kiss' "Do You Love Me?", and wrote the Incesticide song "Aero Zeppelin" as a tribute to Led Zeppelin and Aerosmith.
Punk rock proved to be a profound influence on a teenaged Cobain's attitude and artistic style. His first punk rock album was Sandinista! by The Clash, but he became a bigger fan of a fellow 1970s British punk band the Sex Pistols, describing them as "one million times more important than the Clash" in his journals. He was introduced to 1980s American hardcore bands like Black Flag, Bad Brains, Millions of Dead Cops and Flipper by Buzz Osbourne, lead singer and guitarist of the Melvins and fellow Aberdeen, Washington native. The Melvins themselves were an important early musical influence on Cobain, with their heavy, grungy sound mimicked by Nirvana on many songs from Bleach.
Cobain was also a fan of protopunk acts like the Stooges, whose 1973 album Raw Power he listed as his favorite of all time in his journals, and The Velvet Underground, whose 1968 song "Here She Comes Now" the band covered both live and in the studio.
The 1980s American alternative rock band Pixies were instrumental in helping an adult Cobain develop his own songwriting style. In a 1992 interview with Melody Maker, Cobain said that hearing their 1988 debut album, Surfer Rosa, "convinced him to abandon his more Black Flag-influenced songwriting in favor of the Iggy Pop/Aerosmith–type songwriting that appeared on Nevermind. In a 1993 interview with Rolling Stone, he said that "Smells Like Teen Spirit" was his attempt at "trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard."