Lamborghini Countach LP 400S

Styling
The Countach was styled by Marcello Gandini of the Bertone design studio, the same designer and studio that designed the Miura. Gandini was then a young, inexperienced designer — not very experienced in the practical, ergonomic aspects of automobile design, but at the same time unhindered by them. Gandini produced a striking design. The Countach shape was wide and low (42.1 inches (1.07 m)), but not very long (only 163 inches (4.1 m)). Its angular and wedge-shaped body was made almost entirely of flat, trapezoidal panels.
The doors, a Lamborghini trademark first started with the Countach, were scissor doors: hinged at the front with horizontal hinges, so that they lifted up and tilted forwards. The main reason is the car's tubular spaceframe chassis results in very high and wide door sills. It was also partly for style, and partly because the width of the car made conventional doors impossible to use in an even slightly confined space. Care needed to be taken, though, in opening the doors with a low roof overhead. The car's poor rear visibility and wide sills led to drivers adopting a method of reversing the car for parking by opening the door, sitting on the sill, and reversing while looking over the back of the car from outside.
The pure style of the prototype was progressively altered by the evolution of the car to improve its performance, handling, tractability, and ability to meet mandated requirements. This began with the first production model, which included several vents which were found to be necessary to cool the engine adequately. These included the iconic NACA duct on the door and rear fender of each side of the car. The car design changes ended with a large engine vent directly behind the driver, reducing the rear view. Later additions, including fender flares, spoilers, carburetor covers, and bumpers, progressively changed the aesthetic values of the car.