German Brothel Vs German Prison By Jürgen Chill

Jürgen Chill’s Zellen photographs are a unique perspective upon prison space. Of all the positions in the cell, this floating light-fixture-eye-view should be the least claustrophobic, and yet, the central (physically impossible) high vantage point is dizzying. How does the camera (let alone cameraman) take up such a position? From here, what is there left to do but fall?
Has Chill has pioneered a new photographic typology? I was fascinated by the order each work; the order each cell. I must presume this order is the inmates doing and not the photographers. Chill’s work is labour intensive. The reason he nor the camera falls is because each image is a stitch over one hundred photographs, captured by a digital SLR mounted on a boom, pressed – facing downward – against the ceiling surface.