Summer Silhouettes By TJ Scott

The word silhouette is an eponym of Etienne de Silhouette, a French finance minister who in 1759 was forced by France's severe credit crisis during the Seven Years War to impose severe economic demands upon the French people, particularly the wealthy. Because de Silhouette enjoyed making cut paper portraits, his name became synonymous with these portraits and with anything done or made cheaply. Prior to the advent of photography, silhouette profiles cut from black card were the cheapest way of recording a person's appearance. The family name Silhouette is a French form of a Basque surname, Zuloeta; Arnaud de Silhouette, Etienne's father, was from Biarritz in the French Basque Country; this surname, whose Standard Basque or Batua form is Zuloeta, contains the suffix -eta "abundance of" and zilho, Batua zulo, "hole" (cave of bats).
A silhouette is a form of artwork. It is traditionally a human portrait in profile, in black. The advantage of the profile portrait is that, because it depends strongly upon the proportions and relationship of the bony structures of the face, forehead, nose and chin, the image is clear and simple, and deviates less from the appearance of the sitter with changes caused by age, weight and illness. Profile portraits have been employed on coinage since the Roman era. The early Renaissance period saw a fashion for painted profile portraits and many famous people such as Lorenzo de Medici were depicted in profile.