Black And White Glamour Girl

• Jet magazine was either all or mostly black-and-white until the end of the 20th century, when it became all-color.
• School yearbooks have (historically) been printed either entirely or mostly in black-and-white. All-color school yearbooks are still rare, but more common than before.
Today black-and-white media often has a "nostalgic", historic, or anachronistic feel to it. For example, the 1998 Woody Allen film Celebrity was shot entirely in black-and-white, and Allen has often made use of the practice since Manhattan in 1979. Other films, such as American History X and Pleasantville play with the concept of the black-and-white anachronism, using it to selectively portray scenes and characters who are either more outdated or dull than the characters and scenes shot in full-color. This manipulation of color appears in the film Sin City and the occasional television commercial. Wim Wenders' 1987 film Wings of Desire uses sepia-tone black-and-white for the scenes shot from the angels' perspective. When Damiel, the angel (the film's main character), becomes a human, the film changes to color emphasising his new "real life" view of the world.
Since the late 1960s, few mainstream films have been shot entirely in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. Monochrome film stock is rarely used at the time of shooting, even if the films are intended to be presented theatrically in black-and-white. Movies such as John Boorman's The General and Joel Coen's The Man Who Wasn't There were obliged to be filmed in color by their respective crews, despite being presented in black-and-white for artistic reasons. Clerks is one of the few well-known recent films shot in black-and-white for no artistic purpose; because of the extremely low out-of-pocket budget, the production team could not afford the added costs of shooting in color (though the difference in film stock price would be slight, the store's fluorescent lights could not be used to light for color; by shooting in black and white, the film-makers did not have to rent lighting equipment).