Young Teen College Girl Portrait

Portraits and self-portraits have a longer continuous history in Asian art than in Europe. Many in the scholar gentleman tradition are quite small, depicting the artist in a large landscape, illustrating a poem in calligraphy on his experience of the scene. Another tradition, associated with Zen Buddhism, produced lively semi-caricatured self-portraits, whilst others remain closer to the conventions of the formal portrait.
European art
Illuminated manuscripts contain a number of apparent self-portraits, notably those of Saint Dunstan and Matthew Paris. Most of these either show the artist at work, or presenting the finished book to either a donor or a sacred figure, or venerating such a figure. Orcagna is believed to have painted himself as a figure in a fresco of 1359, which became, at least according to art historians - Vasari records a number of such traditions- a common practice of artists. However for earlier artists, with no other portrait to compare to, these descriptions are necessarily rather speculative. In Italy Giotto di Bondone (1267—1337) included himself in the cycle of "eminent men" in the Castle of Naples, Masaccio (1401—1428) depicted himself as one of the apostles in the painting of the Brancacci Chapel, and Benozzo Gozzoli includes himself, with other portraits, in the Palazzo Medici Procession of the Magi (1459), with his name written on his hat. This is imitated a few years later by Sandro Botticelli, as a spectator of the Adoration of the Magi, who turns from the scene to look at us. (1475). 14th century sculpted portrait busts of and by the Parler family in Prague Cathedral include self-portraits, and are among the earliest such busts of non-royal figues. Ghiberti included a small head of himself in his most famous work. Notably, the earliest self-portrait painted in England, other than in a manuscript, is the miniature painted in oils on panel by the German artist Gerlach Flicke, 1554.