Siberian Carmageddon, Academgorodok, Russia

Early Russian painting is represented in icons and vibrant frescos, the two genres inherited from Byzantium. As Moscow rose to power, Theophanes the Greek, Dionisius and Andrei Rublev became vital names associated with a distinctly Russian art.
The Russian Academy of Arts was created in 1757 and gave Russian artists an international role and status. Ivan Argunov, Dmitry Levitzky, Vladimir Borovikovsky and other 18th century academicians mostly focused on portrait painting. In the early 19th century, when neoclassicism and romantism flourished, mythological and Biblical themes inspired many prominent painings, notably by Karl Briullov and Alexander Ivanov.
In the mid-19th century the Peredvizhniki (Wanderers) group of artists broke with the Academy and initiated a school of art liberated from academic restrictions. These were mostly realist painters who captured Russian identity in landscapes of wide rivers, forests, and birch clearings, as well as vigorous genre scenes and robust portraits of their contemporaries. Some artists focused on depicting dramatic moments in Russian history, while others turned to social criticism, showing the conditions of the poor and caricaturing authority; critical realism flourished under the reign of Alexander II. Leading realists include Ivan Shishkin, Arkhip Kuindzhi, Ivan Kramskoi, Vasily Polenov, Isaac Levitan, Vasily Surikov, Viktor Vasnetsov, Ilya Repin and Boris Kustodiev.
The turn of the 20th century saw the rise of symbolist painting, represented by Mikhail Vrubel, Kuzma Petrov-Vodkin and Nicholas Roerich.