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Wooden Artwork
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Wood is a hard, fibrous tissue found in many plants. It has been used for centuries for both fuel and as a construction material for several types of living areas such as houses. It is an organic material, a natural composite of cellulose fibers (which are strong in tension) embedded in a matrix of lignin which resists compression. In the strict sense wood is produced as secondary xylem in the stems of trees (and other woody plants). In a living tree it transfers water and nutrients to the leaves and other growing tissues, and has a support function, enabling woody plants to reach large sizes or to stand up for themselves. Wood may also refer to other plant materials with comparable properties, and to material engineered from wood, or wood chips or fiber.
People have used wood for millennia for many purposes, primarily as a fuel or as a construction material for making houses, tools, weapons, furniture, packaging, artworks, and paper. Wood can be dated by carbon dating and in some species by dendrochronology to make inferences about when a wooden object was created. The year-to-year variation in tree-ring widths and isotopic abundances gives clues to the prevailing climate at that time.
As a contemporary artistic medium, wood is used in traditional and modern styles, and is an excellent medium for new art. Wood is used in forms of sculpture, craft, and decoration including chip carving, wood burning, and marquetry. Wood offers a fascination, beauty, and complexity in the grain, that often shows even when the medium is painted. Wood is used by carpenters to create many useful items such as cabinets, furniture and musical instruments. Artists use wood for sculpture because it is plentiful and inexpensive when compared to other media like stone or bronze. It is in some ways easier to shape than harder substances, but an artist must develop specific skills to carve it properly. Wood does not last as long as other sculpting media because it can be affected by water rot, dry rot, insect invasion and fire.
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