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History: Early years of The Beatles
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History: Early Years Of The Beatles

Harrison, only 17 years old in August 1960, obtained permission to stay in Hamburg by lying to the German authorities about his age. Initially placing the group at the Indra Club, Koschmider moved them to the Kaiserkeller in October after the Indra was closed down due to noise complaints. When they violated their contract by performing at The Top Ten Club, a rival venue, Koschmider reported the underage Harrison to the authorities, leading to his deportation in November. A week later, McCartney and Best were arrested for arson after they set fire to a condom nailed to a wall in their room; they were also deported. Lennon returned to Liverpool in mid-December, while Sutcliffe remained in Hamburg with his new German fiancée, Astrid Kirchherr, for another month. Kirchherr took the first professional photos of the group and cut Sutcliffe's hair in the German "exi" (existentialist) style of the time, a look later adopted by the other Beatles.
During the next two years, the group were resident for further periods in Hamburg. They used Preludin both recreationally and to maintain their energy through all-night performances. When Sutcliffe decided to leave the band in early 1961 and resume his art studies in Germany, McCartney took up the bass. German producer Bert Kaempfert contracted what was now a four-piece to act as Tony Sheridan's backing band on a series of recordings. Credited to "Tony Sheridan & The Beat Brothers", the single "My Bonnie", recorded in June and released four months later, reached number 32 on the Musikmarkt chart. The Beatles were also becoming more popular back home in Liverpool. During one of the band's frequent appearances there at the Cavern Club, they encountered Brian Epstein, a local record store owner and music columnist. When the band appointed Epstein manager in January 1962, Kaempfert agreed to release them from the German record contract. After Decca Records rejected the band with the comment "Guitar groups are on the way out, Mr. Epstein", George Martin signed the group to EMI's Parlophone label. News of a tragedy greeted them on their return to Hamburg in April. Meeting them at the airport, a stricken Kirchherr told them of Sutcliffe's death from a brain haemorrhage.
In Liverpool, the Merseybeat movement was gathering force. The band had their first recording session under Martin's direction at EMI's Abbey Road Studios in London in June 1962. Martin complained to Epstein about Best's drumming and suggested the band use a session drummer in the studio. Instead, Best was replaced by Ringo Starr. Starr, who left Rory Storm and the Hurricanes to join The Beatles, had already performed with them during Best's occasional absences. Martin still hired session drummer Andy White for one session. White played on the single "Love Me Do" and "P.S. I Love You". Released in October, "Love Me Do" was a top twenty UK hit, peaking at number seventeen on the chart. After a November studio session that yielded what would be their second single, "Please Please Me", they made their TV debut with a live performance on the regional news programme People and Places.
The band concluded their last Hamburg stint in December 1962. By now it had become the pattern that all four members contributed vocals, although Starr's restricted range meant he rarely sang lead. Lennon and McCartney had established a songwriting partnership; as the band's success grew, their celebrated collaboration limited Harrison's opportunities as a lead vocalist. Epstein, sensing their commercial potential, encouraged the group to adopt a professional attitude to performing. Lennon recalled the manager saying, "Look, if you really want to get in these bigger places, you're going to have to change—stop eating on stage, stop swearing, stop smoking." Lennon said, "We used to dress how we liked, on and off stage. He'd tell us that jeans were not particularly smart and could we possibly manage to wear proper trousers, but he didn't want us suddenly looking square. He'd let us have our own sense of individuality ... it was a choice of making it or still eating chicken on stage."

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