Kurt Donald Cobain

Cobain was affected enough to write the song "Polly" from Nevermind, after reading a newspaper story of an incident in 1987, where a young girl was kidnapped after attending a punk rock show, then raped and tortured with a blowtorch. She managed to escape after gaining the trust of her captor through flirting with him. After seeing Nirvana perform, Bob Dylan would cite "Polly" as the best of Nirvana's songs, and was quoted as saying about Cobain, "the kid has heart". Patrick Süskind, whose novel Perfume: The Story of a Murderer inspired Cobain to write the song "Scentless Apprentice" from In Utero. The book is an historical horror novel about a perfumer's apprentice born with no body odor of his own but with a highly developed sense of smell, and who attempts to create the "ultimate perfume" by killing virginal women and taking their scent.
Cobain immersed himself in artistic projects throughout his life, as much so as he did in songwriting. The sentiments of his art work followed the same subjects of his lyrics, often expressed through a dark and macabre sense of humor. Noted was his fascination with physiology, his own rare medical conditions, and the human anatomy. Often unable to afford artistic resources, Cobain would improvise with materials, painting on board games and album sleeves, and painting with an array of substances, including his own bodily fluids. The artwork seen in his Journals would later draw acclaim as being of a high artistic standard. Many of Cobain's paintings, collages, and sculptures would appear in the artwork of Nirvana's albums. His artistic concepts would feature notably in Nirvana's music videos; the production and direction of which were acrimonious due to the artistic perfectionism of his visions.
Cobain would contribute backing guitar for a spoken word recording of beat poet William S. Burroughs' entitled "the "Priest" they called him". Cobain regarded Burroughs as a hero. During Nirvana's European tour Cobain kept a copy of Burroughs' Naked Lunch, purchased in a London bookstall. Ana Finel-Honigman, in her introduction to an interview with the artist Stella Vine on the Saatchi Gallery website, described Vine's art as bitterly honest in the same way Cobain's songs were; "acid outrage over adult lies and injustice", Holden Caulfield's observations about "a world filled with phonies", and Sylvia Plath's poetry an "over-heated anger and bitterness at the world's betrayals".