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Matte Paintings By Sarel Theron
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• The view of Skull Island in King Kong (1933) 
• The 1942 spy thriller Saboteur, directed by Alfred Hitchcock, is enhanced by numerous matte shots, ranging from a California aircraft factory to the climactic scene atop New York's Statue of Liberty. 
• In Alfred Hitchcock's North by Northwest (1959) shots of the The United Nations building, Mount Rushmore and the Mount Rushmore house. 
• Birds flying over Bodega Bay, looking down at the town below, in Alfred Hitchcock's The Birds (1963) 
 
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