Infrared Photography

For some, infrared photography can easily look gimmicky, but many photographers such as Elio Ciol and Martin Reeves have made subtle use of black-and-white infrared-sensitive film. With the advent of digital infrared photography, as a part of full spectrum photography, the technique is gaining popularity and is being sold as fine art photographs in a variety of galleries worldwide.
Infrared light lies between the visible and microwave portions of the electromagnetic spectrum. Infrared light has a range of wavelengths, just like visible light has wavelengths that range from red light to violet. "Near infrared" light is closest in wavelength to visible light and "far infrared" is closer to the microwave region of the electromagnetic spectrum. The longer, far infrared wavelengths are about the size of a pin head and the shorter, near infrared ones are the size of cells, or are microscopic.
Most manual focus 35 mm SLR and medium format SLR lenses have a red dot, line or diamond, often with a red "R" called the infrared index mark, that can be used to achieve proper infrared focus; many autofocus lenses no longer have this mark. When a single-lens reflex (SLR) camera is fitted with a filter that is opaque to visible light, the reflex system becomes useless for both framing and focusing, one must compose the picture without the filter and then attach the filter. This requires the use of a tripod to prevent the composition from changing. A sharp infrared photograph can be done with a tripod, a narrow aperture (like f/22) and a slow shutter speed without focus compensation, however wider apertures like f/2.0 can produce sharp photos only if the lens is meticulously refocused to the infrared index mark, and only if this index mark is the correct one for the filter and film in use. However, it should be noted that diffraction effects inside a camera are greater at infrared wavelengths so that stopping down the lens too far may actually reduce sharpness.